Paul Hindemith
(1895-1963) |
Symphony in B-flat (1951)
I. Moderately fast, with vigor |
Pavel Tchesnokov
(1877-1944) |
Salvation is Created (1913)
transcribed by Bruce Houseknecht (1957) |
Gordon Jacob
(1895-1984) |
The Earle of Oxford’s
March (1924)
from William Byrd Suite |
Ron Nelson
(b. 1929) |
Rocky Point Holiday (1969) |
Timothy Mahr
(b. 1956) |
Fantasia in G (1983) |
Eric Whitacre
(b. 1970)
|
October (2000) |
J. Ryan Garber
(b. 1973) |
Symphony for Winds (2000)
I. Fanfare
II. Chaconne
III. Rondo |
Gunther Schuller
(b. 1925) |
A Tribute to Rudy Weidoeft (1978)
I. Valse Erica
II. Saxarella
III. Saxophobia |
|
~ Intermission ~
|
Samuel Barber
(1910-1981) |
Commando March (1943)
|
Percy Grainger
(1882-1961) |
Shepherd’s Hey (1918)
No. 21 of British Folk Music Settings |
Ralph Vaughan Williams
(1872-1958) |
Folk Song Suite (1924)
I. March - “Seventeen Come Sunday”
II. Intermezzo - “My Bonnie Boy”
III. March - “Folk Songs from Somerset” |
John Barnes Chance
(1932-1972) |
Incantation and
Dance (1964)
|
KEITH GATES
(b. 1948) |
Icarus and Daedalus (1992)
Fantasy of Flight |
PERCY A. GRAINGER
(1882-1961) |
Colonial Song (ca.
1913)
No. 1 of Sentimentals |
DARIUS MILHAUD
(1892-1974) |
Suite Française (1945)
I. Normandie
II. Bretagne
III. Ile de France
IV. Alsace-Lorraine
V. Provence |
~ Intermission ~
|
CHARLES IVES
(1874-1954)
|
“Country Band” March (1903)
arranged by James Sinclair (1974) |
GUSTAV HOLST
(1874-1934) |
First Suite in E-flat (1909)
for Military Band
I. Chaconne
II. Intermezzo
III. March |
PHILIP SPARKE
(b. 1951) |
Mountain Song (1992)
|
ALFRED REED
(1921-2005) |
Armenian Dances,
Part 1 (1972) |